Describe Books As Story: Substance, Structure, Style, and the Principles of Screenwriting
| Original Title: | Story: Substance, Structure, Style and the Principles of Screenwriting |
| ISBN: | 0060391685 (ISBN13: 9780060391683) |
| Edition Language: | English |
Robert McKee
Hardcover | Pages: 466 pages Rating: 4.27 | 11572 Users | 1053 Reviews
Particularize Appertaining To Books Story: Substance, Structure, Style, and the Principles of Screenwriting
| Title | : | Story: Substance, Structure, Style, and the Principles of Screenwriting |
| Author | : | Robert McKee |
| Book Format | : | Hardcover |
| Book Edition | : | Deluxe Edition |
| Pages | : | Pages: 466 pages |
| Published | : | November 25th 1997 by It Books |
| Categories | : | Language. Writing. Nonfiction. Culture. Film. Reference. Art. Crafts. Media Tie In |
Commentary Concering Books Story: Substance, Structure, Style, and the Principles of Screenwriting
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.Rating Appertaining To Books Story: Substance, Structure, Style, and the Principles of Screenwriting
Ratings: 4.27 From 11572 Users | 1053 ReviewsJudge Appertaining To Books Story: Substance, Structure, Style, and the Principles of Screenwriting
Robert McKee is the famous Hollywood screenwriting teacher gently poked fun at in the movie "Adaptation." Though that film could leave one with the impression that McKee teaches formula storytelling, this book is about how good stories transcend formula to become great art. McKee has a masterful understanding of the fundamentals of story itself, and he writes with clarity about the basic story tools every writer must develop in order to move beyond cliche and into something original. UsingThis should be the bible for any writer of fiction whether writing movies or novels. This book became even more useful after I attended a 3-day McKee Story seminar while writing my third thriller. I highlight the aspects that were most helpful to me as a novelist on my latest website post at www.joannaelm.com/makes-good-story-be...
This is not a book. This is like a school in a book. A master's degree. The amount of notes I took got out of hand, so I decided to just outright buy it, to have it handy. The best parts are the scene analysis chapters, which are pretty much the same for novel writing and screenwriting. Seeing a scene broken down into manageable bits has made it clear for me how to rewrite my scenes to make them better. Because if I can't write excellent scenes, I can't write an excellent book, period. So glad I
I discovered "Story" during a writing workshop last fall. Although the book focuses on the creation of screenplays, its principles are directly applicable writing the short story and novel. McKee is an old school storyteller, which suits me to a "T". He insists that the writer respect the audience desire to be entertained, but intelligently and with integrity. He provides a classic structure of plot, progression, character development within one simple but profound concept: the protagonist has a
If you're a writer of drama or fiction, you need to master these rules before you consider breaking them.I knew from an early age that I wanted to write stories, but it wasn't till I was about 17 that I learned that there are actual methods, principles, and techniques involved in storytelling, when I received as a gift a copy of The Art of Dramatic Writing by Lajos Egri. Wow! What a revelation! I read it greedily.Flash-forward to 1990. I was 31 and now had my own TV series, The Odyssey, in
YES! It took me six months, but I finally, finished this bitch. The reason it took me six months was that Story is incredibly dense, and in the best possible way. If you want to understand what makes for a good story, and how and why they work, this is the book to read. But you'll need to read it slow because this is the kind of dense where you'll want to stop and think about what you just read after every few pages to make sure it really sinks in.Though oriented primarily towards screenwriting,
Holy shit, where to even start with this? It's bad in so many ways. The author comes across as a pompous, arrogant, narcissist who knows practically nothing and is even worse at communicating it. How is this guy so highly regarded? I feel dumber for having read this.The actual content of this book, what little of it there is, is the most basic advice on writing mixed with the author's opinions on what makes a good movie (by which he clearly means what he personally likes, not what will make a
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