Itemize Books During The Aesthetics and Psychology of the Cinema
| Original Title: | Esthétique et psychologie du cinéma |
| ISBN: | 0253213770 (ISBN13: 9780253213778) |
| Edition Language: | English |
Jean Mitry
Paperback | Pages: 424 pages Rating: 3.79 | 43 Users | 5 Reviews
Mention About Books The Aesthetics and Psychology of the Cinema
| Title | : | The Aesthetics and Psychology of the Cinema |
| Author | : | Jean Mitry |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 424 pages |
| Published | : | January 1st 2000 by Indiana University Press (first published 1963) |
| Categories | : | Culture. Film. Philosophy. Theory. Criticism. Psychology |
Narration Supposing Books The Aesthetics and Psychology of the Cinema
..". a fresh, compelling, essential work of film theory. Recommended for all libraries." --Choice"[Jean Mitry] is the Aristotle of film." --R.D. MacCann
"This text marks a watershed in film theory. Mitry sums up the first fifty years of theoretical writings on the cinema..." --Richard Abel
"The rediscovery of Mitry could change the parameters of film teaching, breaking down the boundaries between the real and the formal, forcing us to see how they are inexorably fused together." --Leo Charney
"Christian Metz wrote that with this work, 'an entire era of film literature ends.' Perhaps because it was so imposing, people like Metz turned in different directions--semiotics, structuralism, Marxism, psychoanalysis, and so on." --Charles Maland
The Aesthetics and Psychology of the Cinema supplies the missing link between the classical film theorists like Balacz and Munsterberg and the film semioticians like Metz. Mitry is the apotheosis and grand summation of the psychological and formalist views of film.
Rating About Books The Aesthetics and Psychology of the Cinema
Ratings: 3.79 From 43 Users | 5 ReviewsJudgment About Books The Aesthetics and Psychology of the Cinema
The general preference for realism in any art form is so crippling. The significance of the early experimental films can't simply be written off, as Mitry attempts to do. I was very put-off by Mitry's pedantic style as well. I do, however, appreciate his general history of film.
Jean Mitry (7 November 1907, Soissons, Aisne 18 January 1988, La Garenne-Colombes) was a French film theorist, critic and filmmaker, co-founder of France's first film society and later of the Cinémathèque Française in 1938.The first lecturer of film aesthetics in France, Mitry was one of the first intellectuals responsible for, in the words of Dudley Andrew, "taking film studies out of the era of
Partly-read and then abandoned. Too much work!
I recommend this book to anyone who is interested in psychology.
Mitry was a great thinker, though underappreciated today. Apart from connecting the most insightful lessons of gestalt theory, existential phenomenology of Merleau-Ponty, even pointing out the cruciality of the material conditions of the medium's availability, etc., he shows such wide knowledge of film history, giving so many examples for his concepts, and proving he had an original mind above all. He's precise and often humorous in his writing, and maintains an amazing style.Take a look at some
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